Sunday, 24 August 2014

Misericord - a John de _____ story

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[A misericord or mercy seat, is a wooden shelf fitted beneath a folding seat in a church. They can be ornately carved.]

 

The scholar adjusted the angle-poise lamp. There was far too little space left on his oak desk. He picked up the pile of books on medieval alabaster work and stained glass, moving them aside to place them on a windsor chair, already well laden with books. 

 

At last, there was nearly enough space. He pushed back the paperwork and artefacts out further towards the edge of the desk. A few toppled precariously, but nothing fell off. The circle of bright legible light fell on the middle of his desk. He unpacked the manuscript, the edge was tattered. Shreds were about to detach forever, now part of the manuscript, the merest touch and they were on their way to the oblivion of being dust. 

 

The manuscript conformed to the broad description offered by the antiquarian bookseller. It was a handwritten manuscript probably of the medieval period. Very late, but possibly medieval. It smelt musty and old, foxed and splatted with spots and damage. At first he focussed on the damage, the random pattern that age had inflicted on it. Then he tried to switch his focus to what remained. Looking back in time to see what had been written on this yellowed parchment. The antiquarian bookseller had merely described it as possibly medieval parchment, he had made no further attempt to describe it. With no illustrations or illuminated characters it was not the most prepossessing of items. He looked around his room, in the partial gloom he could see the same reassuring collection of artefacts that he always liked to look at. Like a miser admiring his hoard, his eye flicked between the items. A variety of misericords, the heavily decorated underside of fold away church seats, designed to offer temporary respite during a long church service. They were decorated with mermen, centaurs, green-men, courting couples. They were roughly rectangular, that was the beauty of the medieval, nothing was ever quite square or quite straight. It was always contorted in some cartoonish manner. There was a huge ceiling boss, a screaming green man sheaved in leaves. The boss would have covered the part of the ceiling where the stone reinforcing ribs crossed. In use it would have been visible, but not legible, yet the detail was incredible. The leaves sprouted forth from his eyes and mouth. There were fragments of rood screen or jube, the wooden tracery that separated the medieval church chancel and nave. Figures being swallowed by reptilian mouths and swathed in looping oak leaves. The medieval wood carvers continued a tradition of working and venerating the living oak that stretched back to at least the druids that the Romans had encountered when they invaded. Back when an older faith pervaded these islands keeping and maintaining the people in their happy state of fear and awe. 

 

These wooden carvings were rare, rarer than just their antiquity would suggest. Under the Tudor Reformation the state had destroyed the vast bulk of religious carvings, tearing them from their churches and burning them in great bonfires. 

 

He heard the faint rustling of leaves. He had probably paid too much for this piece of tattered parchment, he usually did. 

 

He scrunched up the brown wrapping paper and board, throwing them aside. He pulled across a medieval dictionary and started to work through the text methodically. If the text were actually of more than just the usual very parochial interest then it might be of some real value. 

 

 

“My name is John de _____ and this is my story. Although this story is scarcely credible, even to myself, I swear that it is true. As a young man, I was the faithful servant of Henry, to become the greatest king in all Christendom. He was a strong virile man, full of wisdom beyond his years and with the strength of many men. In the winter of 15__ I was dispatched in his service to the furthest reaches of his kingdom. The kingdom was unruly. Henry had been chosen by God to lead us, but his lords and their serfs were not worthy of him. They were disputatious amongst themselves and unduly troubled by ungodly things. With a troop of my soldiers I was to travel the lands of our King and instruct them in their rightful duties and allegiances. A good king will have obedient people and those that will not be obedient must be fearful, in fear for their very lives. 

 

It was a hard winter, the wet ground solid with frost. We were unwelcome everywhere we went. We struggled our horses up endless tracks through oak woods that had never seen a cart. We fought off cur like wolves, and snarling wild pigs, cold hungry. The woods were full of brigands but they knew better than to attack us in the daylight. At night we heard their oaths and footsteps in the dark of ancient woods. The nighttime woods were always full of their noises around us. 

 

When we found a village we were scarcely more comfortable. The huts were low and mean, crowded round a church or pond, like weary hunters round a fire. Hungry dogs licked round us as we entered each village. Dark eyed children looked on. At each gathering I would say my story. I would tell them of their great king and their place in his kingdom. The lords would shift uneasily. They lived in comfort in service of their king, but had done so little to deserve his favour. 

 

I am pledged to the service of my king. After that I am pledged to the service of my Lord God. The churches were as dark and mean as the people. We were far away from the fashionable papistry and Latin of London. The churches were dark and crowded with their carvings. Dark oak figures of heathen things, mythical figures and conjoined couples, gargoyles pulling at their cheeks, twisting branches and oak leaves. On the Lord’s day we would go to the church. The services were long and stilted. 

 

It was in the darkest month of that year when we came to the village of F_____ after days of riding through the tightest of forests. As we approached our path was bordered by oaks on either side, huge twisted trees that were too broad for a man to put his arms around. Trees that were so ancient as to be near useless for anything but firewood. The houses were set low in the ground, turf walls and roofs of scattered brash. It was Sunday and there was no one to be seen. The village circled it’s church. I led my men to the church, stooped low to enter. The church was dark, but full of people. There was the sweaty warmth of many people together. The place smelt of wood and damp, like the woods that we had been marching through. No one turned to face us. We sat at the back of the church, there was empty space and we genuflected before sitting back on the misericords. I took my right hand off the pommel of my sword and placed it on the side of the pew. It was carved with their usual pagan heathenry. The service was unfamiliar, the dialect here too thick to understand. 

 

The church was a long low building, the row of pillars were like the oak trees that led up to the village. It was entirely covered in carvings. Green men and wild hairy men of the woods, carved oak leaves and carved ivy spread across every surface. 

 

The people of the village stood and knelt, their hands pressed together in prayer. At the front of the church there was an ornate rood screen, atop it a rood, a figure of our Lord Christ, upon the cross. This Christ was entangled in oak and ivy leaves. The people roared as one, their prayer becoming more feverish, in the faltering winter light the endless carvings seemed to fidget and settle, flicking like the tail of a summer lizard. 

 

Their chanting grew louder. The Christ rood grew brighter in the dark. The chanting was like shouting. The rood Christ stepped forward, the leaves started to swallow up the Christ until they consumed him. The figure was now a green man, the screaming green man, walking through the air towards us. My men jumped to their feet, their swords and axes at the ready. The wooden leaves were flicking and twisting, grabbing at my men as they chopped desperately to save themselves. I watched as my men were swallowed up and torn apart by this dark wooden undergrowth, I myself felt the pew twist and grasp at my wrist. 

 

I pray for forgiveness from my king and my Lord. I ran to the horses, climbing atop the strongest of them. The heavy horse galloped as our lives depended on it, the very avenue of oak trees bending and grasping at us. My king is the wisest king in Christendom. He knew my testimony to be true. Together we set out to rid the country of it’s paganism.”

 

 

The scholar rocked back in his chair feeling sick. The light was getting dimmer and the sound of rustling leaves was getting louder and louder, but it was winter and there was not a tree for miles.

 

 

Losing Definition - Stories by Peter Reid

Losing Definition cover

 

As touched on in earlier blog postings, for some time I have been working on a series of short stories that I intend to collect together as Losing Definition for self publishing on Kindle. 

To be honest, I have been busy with other things for a while, but I am now trying to make a concerted effort to pull together the collection. Proofing the stories for final publication is unbelievably tedious, and I am still to decide on exactly what order to publish them in, but things are progressing. I think that I will just publish the stories here on my blog as I finish off the final proof. Having said that, there is no guarantee that everything that appears in the blog will appear in the final book, or that i won’t make further amendments, some stories here might not make the final cut. 

I do hope you enjoy these stories. 

best wishes 

Peter 

 

 

 

 

Saturday, 16 August 2014

Chalcedony - a very short story in the style of Italo Calvino

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To the north of their territories, nearing the edge of that empty steppe land that they inhabit lies the city of the nomads, Chalcedony. Once it was as other cities, but the nomads were unfamiliar with the ways of cities. They had determined that the city should be built entirely from the stones from one quarry. At first this quarry had seemed infinite, the great slabs of rock that had outcropped, it seemed as if they would stretch on far beneath the thin turf. Believing that they enjoyed a near infinite wealth in their chosen stone, they were wasteful discarding pieces with a poorer figuring or cutting large pieces that necessitated much waste. Their city too, though smaller than it is today, was built with extravagance and architectural abandon. The buildings had many stories, turrets and such other features as amazed the visitors eye.

After a few short centuries, the seams of rock were petering out. They were cutting smaller and smaller pieces for building, and even that was not enough to allow fresh building. Barely enough for an outbuilding could be cut in a year. Being nomads, they did as nomad did. The city was not in where it was, but in what it was. They had resolved at some nameless point in time, that the city was built solely of those rocks from that quarry, internally supported and floored with such wood as they could find. Though in truth, in that empty land, wood was scarce more common, or more accessible than their chosen stone.

As nomads do, their city shifted, the wasteful stone foundations were dug up, and houses and great public buildings were installed on more rocky lands, where weatherworn rock made up the whole of the surface of the land. Gentle slots were cut to fix the base of their walls, and atop those the self same stones of old Chalcedony city were laid in fresh configurations. The old city now is marked by robber trenches, setting out where the streets and walls once lay, the diligent and poor are still prospecting for the odd slab of stone that might have been neglected and left behind, and might once again be reunited with its migrant city.

The city is never fixed, not as a city, nor as streets, houses or other buildings. Only the stones of Chalcedony are permanent, endlessly rearranging into different forms of building or city. The city was once small and ambitious, but the constant parsimony of their situation has imposed a pessimistic mien to their fresh city. The stones of Chalcedony cannot last forever, facing blocks are worn in the harsh desert winds, sand batters stone, until only sand remains. They seek to use their blocks until the very last, but eventually every stone must be a pebble and useless for building. And so their fine public buildings, with great spans and impressive arches, are becoming more mean and squat. Houses sit low in their landscape, huddling to the ground, the many stories of the old Chalcedony are a distant memory, if indeed they ever did exist. For now all there is is some low buildings, much as any other village, sunk low to the ground. The nomads are out of love with their idea of a city, the robber trenches sometimes reveal a fresh large block of cut stone, or even a fragment of such, exciting much telling of stories and fantasy. I do believe that for all their talk of the splendours of old Chalcedony, those desert people would fain recognise a real city now, one that stretched beyond a huddle of low huts sheltering against the sandy wind.

But in truth their city of Chalcedony has never left them, it is all around them now, as the pebbles and sand that they piss on, on cold winter nights.

Monday, 26 May 2014

organising the wood pile, how I backed up all my photos to Flickr

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I suppose that like most Apple Mac users with a camera, I have taken photos, and just relied on iPhoto to keep them organised. I don’t take enough photos to have every worried too much about developing an efficient workflow or means of backing up. However my current laptop, despite having a 250gb hard drive is now very full, so it is time to start doing something a bit more systematic. I cannot claim that this is the most wonderful approach, that I have considered, or that I even understand the alternative options, but for what it is worth this is what I have done. 

The basic facts are that I have an iPhoto library of over three thousand photos, stretching back to scans of photos that I took in the pre-digital age. The early digital photos were from a very cheap Vivicam camera that got me started, the later ones from a Canon Ixus. None are terribly high end, but they are what I have. Although I do have Aperture, I find iPhoto does more of what I need so just use that.

I am a long time user of Flickr the photo site, and paid for a subscription shortly before you got unlimited access for free. 

I do back up my laptop, to an external hard drive, and although I have iCloud, Evernote and Dropbox, none seem terribly practical for easily backing up my photos. 

 

What I have decided upon is 

  1. create a series of Smart Albums in iPhoto, see the File Menu, one for undated photos, then ones for each year that the photos were taken. Not essential but it helps to break down the mass of undifferentiated photos.
  2. create a matching set of Albums on Flickr, although this can be done directly in Flickr I found it easier to do so using Flickr Uploader when I was uploading the photos. 
  3. As hinted above, use the Flickr Uploader software to upload all the photos from each year. Flickr Uploader will let you select a Smart Folder on iPhoto to upload. You can set access rights at this point. The bulk of my photos are simply uploaded as only for my access. With hindsight it is best to keep the Smart Albums small, anything over a few hundred and it will be unwieldy. There were times when I left the computer running overnight to upload the photos. 
  4. This then created a back up of my entire iPhoto library on Flickr. It is possible to check that the numbers match, that Flickr and iPhoto agree on how many photos there are. They treat videos slightly differently, iPhoto counts them separately. I never got numbers to entirely match up for the very large Albums, but it seemed to go more or less okay.
  5. Having created this back up, I then went through my iPhoto library. Unfortunately it is not possible to do this within the Smart Albums, you need to work within the Folder of all photos. However the folder is sorted into date order, so it is easy enough to see what the last photo for a particular year should be. Knowing that it was all backed up, I worked through my photos in chronological order, publishing the best of them to Flickr public albums named, people, places and stuff. Family photos are saved to an invitation only Flickr album. I have invited my family to view that album. 
  6. the final step will be to go through the Flickr albums and delete any duplicates. With hindsight it might have been easier to delete everything already on Flickr and just start over, but it would have lost any comments and view stats on the Flickr site. 

A few important points to note, if you want to upload your photos for back up purposes, then it is easiest to use Flickr Uploader. If you upload a photo using iPhoto, when you try and delete it from Flickr, it also want to delete it from Flickr, which rather defeats the point of backing the stuff up to get it off your hard drive.

The whole process is very time-consuming, it might be worth sprucing up your iPhoto library first to get rid of pointless duplicates and the complete rubbish. To be honest it is taking me days to back up and publish my photos, so this is a gold plated option that might not be for everyone.

This should cost nothing, Flickr now offers near unlimited storage for free. Flickr provides a lot added value for storing photos, you can save as public, completely private or restricted to those you have invited to view. Those viewing can comment etc, so there plenty of useful functionality. That said, it is online, I would not have anything hugely private online, just in case. If Flickr do amend their charging model or go bust, then you will lose your photos, so best to retain the really good ones on your hard drive in iPhoto and have a back up strategy in place for that. 

Going forward, this approach seems reasonably sustainable, setting up smart folders for each year or month, on iPhoto and then backing them up when they get to a certain size using Flickr Uploader. I will get better at deleting the surplus variations of photos, if there are six similar photos, just keep the best. Nowadays it is easy to generate a vast volume of digital content, so it is worth developing an approach to deal with it, that is not just wholly reliant on the one hard drive. This is still a work in progress, but it has meant that I am a lot more confident that my photos are safe and my family are able to enjoy them too.

Sunday, 26 January 2014

style and content

390px Orna113 Knoepfe Vasen

 

It intrigues me that we accept that styles apply within such limited contexts. For example there are plenty of architectural styles that have no equivalent in literature or art, I am not sure that I could point out any rococo literature, or art deco or art nouveau literature, much less Bauhaus literature. There are exceptions, I think that Modernist and Post Modern both apply within architecture and literature, though I am not sure that they do so with a great deal of rigour. 

 

It would be nice to design relatively functional items in architectural or art history styles, for example the Bauhaus garden of geometric shapes and plain expanses, I suspect that large amounts of topiary would be required. Or the Mannerist pepper grinder, bent double demonstrating the nature of twisting. 

 

There is plenty of topiary in my garden already, but it is mainly box hedging so it certainly does not grow very quickly. I would like to shape it into the shapes of mouldings, bull nosed ogees, egg and darts and ornamental finials. The notion of replicating wooden mouldings in topiary seems to me to be an entirely sensible pursuit.

Monday, 2 December 2013

user testing

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I really wish that user testing of computer software or operating systems entirely consisted of giving normal people a short list of everyday tasks to complete, and then timing them to see just how long they took to complete them. 

Give them just what comes in the box, and then time the confused granny as she reads through the European signal compliance guide but throws out the guide to getting started, the clock ticks by as she tries to figure out whether that plastic nubbin is actually a button or not, fat fingers attempt keying in the log in details, was that just a user name, or the whole email address, is it googlemail or gmail, keying a password, repeatedly as the cursor jumps back to obliterate the user name, onward ticks the clock as wifi is negotiated, the granny loops round and round repeatedly failing to configure her email account, the test process switches over to a calendar as the granny tries and fails to update the password, she puts the mobile phone into her handbag and decides to take it back to the shop and ask one of the nice young men there how to do it….

Sunday, 1 December 2013

Bento by FileMaker

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I was browsing apps on the Mac AppStore and was surprised to find that the database application Bento was not there. On checking, it was withdrawn from sale in September 2013, with support only being promised until July 2014. 

For those unfamiliar with Bento, it was launched in 2008, seems like yesterday, but then I am old and dottled and pretty much everything seems like yesterday. It was presented as a database for normal people, and came out with much hurrah. Initial impressions were favourable, it hooked into your contacts etc, with ease, and was pleasant to look at. However a series of paid upgrades that seemed to offer little additional functionality, and the constraints of using a database as much of anything beyond just a computerised set of file cards, gradually wore away the initial goodwill. Its passing will be lamented by a few who have invested a lot of time and effort into their personal databases, but for most people it won’t be much missed. 

For long time Mac users there has never been a great demand for, or great number of database applications. Way back when, there was HyperCard, which was not really a database, but did stuff, then there were the works packages, AppleWorks and later ClarisWorks (for both 1984-2004) which included a database application. Oddly for modern eyes they also included a terminal programme for communicating via the new fangled inter web! With the demise of Clarisworks, and the shift to the iWorks package, there was no longer a go to database for ordinary Mac users. 

Elsewhere there is much coverage of the decline and fall of the relational database, http://www.itworld.com/storage/86308/the-decline-and-fall-relational-database

To be honest, I often find myself trying to explain to normal people what a database is. They generally look deadly bored, while I attempt to explain why Excel is actually inferior to a database for certain tasks. But for most people, they understand what Excel is, and can get it to do what they want, anything else is either a bespoke application or website and does what it does. So IMDB, the App Store, iTunes, are not a database, they are just part of the landscape. Similarly you would not expect to cobble together something like iTunes yourself, you would look for something that provided the functionality for you.

So good bye then to Bento the personal database, gone the same way as Works packages, and terminal programmes for accessing the inter web.